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Literature Text
Last night, I witnessed the death of an ancient smokestack. It coughed its lungs into submission and fell without dignity, tumbling through the graying air, and crushing itself to the earth, much like many of the ill-fated citizens in North Alincourte had twenty-three years ago. The city is a grandiose place, even with the presence of crumbling cathedrals and lonely abbots. The whole area is a site of festive attraction; thousands of Better Alincourte's citizens mill around, snapping pictures, buying souvenirs, and generally running amok through a decomposing city.
It's not that I resent the tourists. I just dislike how freely they allow themselves to wander around one of the few places where history was preserved, a city in which industrial technology merged with flourishing stone and tile.
Let me introduce you to my home.
I live in a reclusive fortress which has seen far better days than now. Vines creep up stone, seemingly pulling a man made structure back into nature. Pebbles slip from the widening cracks. It's not much of a sight, but it preserves the olden days and it provides comfort, especially when the days grow dark.
Allow me to introduce myself. My name is Malcolm Travors, and I am unlike the others. I can't deal with stupidity. I can't deal with cluttered, crushing stereotypes. I can't deal with the idea that quirks define who you are. I'll leave my physical traits aside for now. You'll see them soon enough.
I enjoy the nightlife, where I'm less restrained. Seeing the unblemished stars glowing in the dusk is an added bonus. I'll savor them as long as I can, but it's only a matter of time before I need to head into Better Alincourte again.
I see a blur of shadow flash across a stone wall but I don't react. I know what it is, and it knows me well. The shade transforms into a cloaked, feminine figure wielding a pointed scythe. As pale colors flow into the form, she clenches her slim hands and straightens. The tip of the metal scythe glints in the starlight. I bow stiffly.
"Lady Death," I say grimly.
She rolls her all-seeing eyes. "I told you not to call me that, Malcolm. It makes me sound dreadfully morbid."
I laugh without humor. It comes out as a dry chuckle and is stuck in my throat. "You reap people's souls. What's not morbid about that?"
"Malcolm, why the--"
"Death, my name's not to be used as freely as you wish. Even if you are the grim."
"You're always so sour," she chirps amiably. "I met a soul once in Serengton. He was hit by a bus crossing the street, you see. Very bloody. He spoke to me of his family, his girlfriend, his social life. Death isn't all that bad, if you accept it."
"Yes, of course," I retort. Leave it to the grim reaper to make death seem lovely. Of all people. "Leaving his family, friends, and girlfriend to deal with the grief is always such a wonderful experience. Just tell me why you're here."
Her cordiality drains away, to be replaced with a resigned scowl. "Alright then, Travors. Three citizens of South Alincourte had their inner ghosts corrupted by those nasty little dark demons. You know, the ones which you pulverized in Coda?"
I sigh, dismayed. "Yes, I know. Where are they?"
"I don't know," she shrugs. "I just reap people's souls." With that, she spirits away in a dark wave. And I'm left alone in my cold, dim sanctuary.
It's not that I resent the tourists. I just dislike how freely they allow themselves to wander around one of the few places where history was preserved, a city in which industrial technology merged with flourishing stone and tile.
Let me introduce you to my home.
I live in a reclusive fortress which has seen far better days than now. Vines creep up stone, seemingly pulling a man made structure back into nature. Pebbles slip from the widening cracks. It's not much of a sight, but it preserves the olden days and it provides comfort, especially when the days grow dark.
~~~~~~~~~~
Allow me to introduce myself. My name is Malcolm Travors, and I am unlike the others. I can't deal with stupidity. I can't deal with cluttered, crushing stereotypes. I can't deal with the idea that quirks define who you are. I'll leave my physical traits aside for now. You'll see them soon enough.
I enjoy the nightlife, where I'm less restrained. Seeing the unblemished stars glowing in the dusk is an added bonus. I'll savor them as long as I can, but it's only a matter of time before I need to head into Better Alincourte again.
I see a blur of shadow flash across a stone wall but I don't react. I know what it is, and it knows me well. The shade transforms into a cloaked, feminine figure wielding a pointed scythe. As pale colors flow into the form, she clenches her slim hands and straightens. The tip of the metal scythe glints in the starlight. I bow stiffly.
"Lady Death," I say grimly.
She rolls her all-seeing eyes. "I told you not to call me that, Malcolm. It makes me sound dreadfully morbid."
I laugh without humor. It comes out as a dry chuckle and is stuck in my throat. "You reap people's souls. What's not morbid about that?"
"Malcolm, why the--"
"Death, my name's not to be used as freely as you wish. Even if you are the grim."
"You're always so sour," she chirps amiably. "I met a soul once in Serengton. He was hit by a bus crossing the street, you see. Very bloody. He spoke to me of his family, his girlfriend, his social life. Death isn't all that bad, if you accept it."
"Yes, of course," I retort. Leave it to the grim reaper to make death seem lovely. Of all people. "Leaving his family, friends, and girlfriend to deal with the grief is always such a wonderful experience. Just tell me why you're here."
Her cordiality drains away, to be replaced with a resigned scowl. "Alright then, Travors. Three citizens of South Alincourte had their inner ghosts corrupted by those nasty little dark demons. You know, the ones which you pulverized in Coda?"
I sigh, dismayed. "Yes, I know. Where are they?"
"I don't know," she shrugs. "I just reap people's souls." With that, she spirits away in a dark wave. And I'm left alone in my cold, dim sanctuary.
Literature
6-4-14
We stay at a hotel in the middle of somewhere-nowhere, Illinois, small-town-almost-no-town-at-all. If you trek a half-mile in that direction you'll find a sort of main street. Most of the shop buildings are for rent, storefronts stand empty and dark, ceilings inside collapsed, some species of scattered lesser temples, innumerable ages ago discarded.
I walk long miles by night or day down empty railroad tracks, the tracks of passing writers, painters, engineers, coal, hydrochloric acid, freight. The rail guards riding last cars wave in passing and leave me on my way. Gravel and porous fossil-like cement rocks crunch at every step.
Peop
Literature
Matchstick
irreplaceable yet unnecessary
leave me in your retrospect
where you found me, unwanted & with a question mark over my head
or a Matchstick, maybe
I'm the fire you started &
couldn't put out
the one you doused &
the One you'll freeze without.
Literature
the ghost
I don't know what I'm waiting for,
because I am a ghost and yet
I sit on my hands and wonder
where you've been -
I walk the forest in circles,
the methodical crunch
of leaves beneath my feet
and I remember
that you made me feel small,
and alone. here I am, facing
this brilliant hue that is me and myself
and I am the ghost but somehow
you are haunting me.
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Kudos and thanks to the amazing Undomiel321 , Kreatress , Gingersanps , prettyflour , and MatieuCanadaWilliams for editing and polishing this one up. They're amazing. I still think I'll return to this and edit again.
[EDIT]
Thank you to the wonderful Gingersanps for being amazing and featuring this piece as DLD's piece of the week.
© 2014 - 2024 Aerode
Comments28
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Great opening. These seem like really interesting characters and I love the reversal of roles, firstly that Death is portrayed as female, and second that Malcolm is somewhat grim and disenchanted with life, whereas Death herself appears much more chipper. Their dynamic seems like it will make a very entertaining side to the story. I hope you continue it.